Post by greenbeing on Feb 28, 2006 21:29:08 GMT -5
Adriana—A Ghost Story
Part One
A Little Off
There was fog inside the building. Inside, not outside. Detective Marty Russo wanted to write that down; Lieutenant Fisk would never believe it. He’d think Russo was hallucinating, or worse, failing under the pressure of doing his job. He’d have taken a picture, but the Polaroid camera he’d brought to snap the crime scene had failed. It was dead, or jammed, or out of batteries, or cursed; he wasn’t sure what was wrong with it, and the light in the building was so dim he couldn’t disassemble the device to fix it.
The radio squawked and fuzzed. “Russo,” he said, pushing the button, but when he released it, he couldn’t hear anything except loud white noise. “Damn it.” He clipped it to his belt, out of the way, and turned down a long hallway lit only by a bare bulb at either end, dark in the middle. He hadn’t even found the crime scene yet, and if he was a half-assed detective, he’d have turned around and gone home by now.
The building was a ritzy old hotel, built sometime in the late 1800’s he guessed. It had never been remodeled, though plumbing and electricity had been sporadically added. The carpet was as worn as carpet could be after a hundred years of feet. The halls were more like corridors in most of the building, wide enough for a troupe of circus performers to take their pet elephants on a promenade. The walls were gold-gilt wallpaper, occasionally a mural, one of which held a painting of an ancient circus with scantily clad women leading various animals around a ring, which was what got Marty thinking of that in the first place. There was another mural depicting Heaven, Hell, and some sinister place in between, with an angel reaching down for this blonde girl, snatching her up violently, painfully, while the devils coaxed quietly, and sat around smoking pipes and smiling.
Marty pulled his attention away from the walls and kept going.
Marty’s partner, Tom Selway, had stopped outside the building to talk to an officer about the body that had been found in the basement. The officer had been pretty shaken up, kept saying he’d never seen anything like it, but couldn’t go into detail. Marty’d got fed up doing the patient gig and left Tom to bat clean-up on that part of their report. He’d been more anxious to get the case started, less anxious to sit around schmoozing and cajoling.
He heard something and his heart sped up as he froze in place. He wasn’t superstitious, or easily scared; hell, he was one of the Finest, a New York police detective. He didn’t get spooked.
But that wasn’t a rooky cop sitting outside on the sidewalk, gibbering and shaking. That was one of the veterans, been there at least ten years, seen some serious shit.
Marty advised himself to be cautious.
“Hello?” a voice asked, equally cautious.
“Dunbar?” Marty laughed, relaxing. The odd sound, it had been a blind man’s can, tapping threadbare carpet, then running along the rotting baseboards.
“Marty.”
Marty couldn’t see Jim yet, just a vague reflection from the cane. He waited, feeling a little better to have Jim down there with him. Between the two of them, they’d find the scene in the basement, find the corpse, and get on with their lives.
“What are you doing here?” Marty asked. Jim still hadn’t made it to him. “And where’d you come from?” Dunbar was coming from the opposite direction down the hall.
“It was on my way.”
“On your way to where? I thought you were sick today.”
“Hank’s sick today. That doesn’t give me the day off.”
“Where’s Karen?”
“Out with Tom. I didn’t want to just sit there, though.”
“They learn anything new?”
“Not that I know of. The EMT had just given the cop a sedative.”
Jim was suddenly at his side and Marty jumped, putting out a hand to stop the detective from going any further, in case the odd lighting and acoustics had affected both of their perceptions. “How’d you get here?”
“From the front door.”
“Me, too.” Marty screwed up his forehead. But it wasn’t likely Dunbar would really know how he had made it to the other end of that hallway—one of the perks of being blind. “So…” Marty cleared his throat. “It’s dark in here.”
“And damp,” Dunbar added, taking a swipe at his forehead as if something had dripped on him.
“F*ck, Jim, it’s downright foggy.”
Dunbar just looked at him in the dim light, barely more than a silhouette.
“Yeah, I know you can’t see it…”
“It’s foggy?”
“Yes.” Marty shivered. “Give me the benefit of the doubt, okay? Just this once?”
Marty heard him shrug, a rustle of his long overcoat, more heard than seen. “I’m sure there’s a rational explanation.”
“Such as?” Marty prompted.
The shrug again. “It’s humid in here, but cold. You know how steam rises out of the sewers in the middle of the night? Maybe it just got trapped here.”
“Great,” Marty said. “A warm sewer backing up.” He shivered. It was cold in there.
“Where’s the body?”
“I haven’t found it yet. I can’t find the stairs that go down to the basement.”
“The officer said to go straight in through the front door and there’d be a long hallway. The stairs were supposed to be just past the kitchen, third door on the right. Karen even pointed me at the hallway.”
“Okay…”
“There were no doorways on the right.”
“That’s because you got turned around,” Marty said. “You’re coming from the wrong way.”
“But I never turned…”
“So we’re both lost. Let’s go back to the front door and start over. I have a flashlight in the car. That’ll make it easier.”
Jim sort of laughed, but he nodded agreement, a vague reflection bouncing off his ever-present sunglasses. “I’ll follow you, if you’re sure I’m the one who got turned around.”
“What’s that supposed to mean?”
“It means I’m used to walking around in the dark.”
Marty had to concede to that. He turned around and looked down the hallway, seeing nothing more than walls, a few closed doors, and a red and gray film hanging in the air, an orange light bulb at the end. “Then we’ll go…” He turned back. “…Your way.”
They started walking back the way Jim had come, in the direction Marty had been headed originally.
“I’d hate to see the honeymoon suite in this place,” Marty finally said.
“Foggy and dark…” Jim said. He reached a hand out and ran it along the wall. “Pretty snazzy place, huh?”
“Right,” Marty said sarcastically.
“This wallpaper feels like it was really expensive at one time.”
“But it looks like it’s been molding and decaying for some time.” Marty stayed slightly behind Jim. Jim would probably be more likely to detect an obstacle first, or fall through a hole in the floor… “You like the carpet, too?”
“It’s really worn. You can tell because it’s kind of uneven—plush near the wall, almost down to hardwood in the middle.”
“Yeah. I know.”
“You look behind any of the doors?”
“Not yet. I figure, why bother yet? Until we see the body, we won’t know what to look for. What sort of murder weapon, or snagged clothing…”
Jim paused and Marty managed to stop just before he would have run into him. “Maybe the stairs are behind one of the doors. But not labeled. It’s worth a shot.”
Marty sighed and tried the first door on his right. “Locked,” he said as the knob jiggled loosely. It would be easy to force it open, if need be.
Jim moved ahead, running his hand along the wall. He opened the next door easily and stood outside, listening, waiting. Marty peered in.
“Nothing,” he told Jim. “A bedroom. No mattress, just a frame and box spring.”
Jim leaned in and shut the door.
“This is going to take forever,” Marty complained, striding ahead.
“You got a better idea?”
Marty tossed open the door. “Yeah, we knock this sucker down and build a park. It’ll make a nice memor—” He stopped, his mouth hanging open. Sunlight beat through wispy curtains, making him blink. Somehow the light didn’t permeate the dreariness of the hall. There was another bed, and on it— “A body,” he said, voice absent of emotion.
“What do you—” Jim broke off, stopping beside him, as if he could suddenly see the body also. Then he turned his head to the side. “Did you hear that?” he whispered.
“What?” Marty asked, unable to take his eyes off the woman lying on the bed with at least three obvious gunshot wounds marring her outdated gingham dress.
“A gunshot. No… it was the echo of a gunshot.”
Marty shook his head. All he could hear was a bird chirping outside the window, as if it were spring, mating season.
Jim grabbed his arm. “Another one,” he said. “Just the echo.”
Marty finally tore his eyes away from the pretty brunette and looked at Dunbar, who’d taken off his sunglasses, as if it would help him hear better, his lips pressed together and eyes half-closed in concentration.
The hand tightened. “Another one. But I can’t tell where they’re coming from. That’s three.” Dunbar sucked in a deep breath, waiting for more.
“There won’t be anymore,” Marty said, turning back to stare at the body. A fly was buzzing around it, impossibly loud, but refusing to flit upon the dead surface.
“How do you—”
“Because the body here only has three wounds. She’s definitely dead.”
Jim tried to step in front of him, between him and the room, but Marty pushed him back. “Marty—”
“This is Room 11.” He reached for the antique glad doorknob, only half-aware of the unspoiled luxuriance of the room. “We’ll come back.” He shut the light out from the hallway.
“We’d better find some of the other cops, let them know about this.”
“I thought the body was in the basement,” Marty said, turning back toward Dunbar.
“It is. There’s a guy down there.”
“…and a woman up here,” Marty finished.
They’d only gone about five more steps when Dunbar stopped and held a hand out behind him to stop Marty. “Shh.”
“What?”
Marty didn’t hear a reply and he couldn’t see Jim well enough in the dim hallway bulbs after the sunny murder scene in Room 11 to know if Jim answered inaudibly. He felt him point and looked.
“What?”
“Nothing. I don’t know. It was just… a noise. Like a person tiptoeing.”
Marty looked harder. “Nothing. I don’t think… Like I said, I can’t see that well in here.”
This time he saw Jim nod, his eyes adjusting.
Jim pushed open the next door. Again the room was dark and drab.
“Nothing,” Marty told him.
Jim closed the door. “What’d you see?”
“Nothing. The windows were boarded up. The curtains torn. No furniture.”
“I meant in the last room.”
Marty was silent. He let Jim walk on ahead. The fog had disappeared from the hall, leaving it no brighter. “It doesn’t make any sense,” he finally said. “I feel like I’m losing my mind.”
Jim stopped walking and turned back. “What was it?”
“It was a nice room. It was bright. The bed was intact. The lady had just been shot… You couldn’t tell how bright it was?”
“No,” Jim said, his tone clipped.
Marty shook his head. It had just been so sunny, he thought even a blind man must notice that, somehow.
“Karen,” Jim said. “Karen?”
It took Marty a moment to realize Jim was trying to get someone on the radio. “Mine doesn’t work, either.”
Jim’s hand fell. “Let’s go.” He ran his hand along the wall to the left, switching sides of the hallway as they headed back the way he had come. He stopped. “Stairs.”
“What?”
“Stairs. In Braille. It’s labeled.” He moved forward a step, finding a door. “What do you want to bet this is the third door on the right and it goes downstairs?”
“Okay…”
“And… somehow… I missed it completely, along with the other two doors.”
Marty moved up next to Jim as he opened the door. He didn’t see a label in print, just the little plaque of Braille, tarnished brass that blended in with the gold of the wallpaper. “We’ll let is slide, seeing as how I was coming from the other direction altogether.”
“Gee, thanks, Marty.”
“Stairs. Going down,” Marty affirmed.
“Should we? Or should we go get Karen and Tom?”
Marty hesitated. “I bet we got so turned around and lost that they’re already down there. Let’s go.”
Part One
A Little Off
There was fog inside the building. Inside, not outside. Detective Marty Russo wanted to write that down; Lieutenant Fisk would never believe it. He’d think Russo was hallucinating, or worse, failing under the pressure of doing his job. He’d have taken a picture, but the Polaroid camera he’d brought to snap the crime scene had failed. It was dead, or jammed, or out of batteries, or cursed; he wasn’t sure what was wrong with it, and the light in the building was so dim he couldn’t disassemble the device to fix it.
The radio squawked and fuzzed. “Russo,” he said, pushing the button, but when he released it, he couldn’t hear anything except loud white noise. “Damn it.” He clipped it to his belt, out of the way, and turned down a long hallway lit only by a bare bulb at either end, dark in the middle. He hadn’t even found the crime scene yet, and if he was a half-assed detective, he’d have turned around and gone home by now.
The building was a ritzy old hotel, built sometime in the late 1800’s he guessed. It had never been remodeled, though plumbing and electricity had been sporadically added. The carpet was as worn as carpet could be after a hundred years of feet. The halls were more like corridors in most of the building, wide enough for a troupe of circus performers to take their pet elephants on a promenade. The walls were gold-gilt wallpaper, occasionally a mural, one of which held a painting of an ancient circus with scantily clad women leading various animals around a ring, which was what got Marty thinking of that in the first place. There was another mural depicting Heaven, Hell, and some sinister place in between, with an angel reaching down for this blonde girl, snatching her up violently, painfully, while the devils coaxed quietly, and sat around smoking pipes and smiling.
Marty pulled his attention away from the walls and kept going.
Marty’s partner, Tom Selway, had stopped outside the building to talk to an officer about the body that had been found in the basement. The officer had been pretty shaken up, kept saying he’d never seen anything like it, but couldn’t go into detail. Marty’d got fed up doing the patient gig and left Tom to bat clean-up on that part of their report. He’d been more anxious to get the case started, less anxious to sit around schmoozing and cajoling.
He heard something and his heart sped up as he froze in place. He wasn’t superstitious, or easily scared; hell, he was one of the Finest, a New York police detective. He didn’t get spooked.
But that wasn’t a rooky cop sitting outside on the sidewalk, gibbering and shaking. That was one of the veterans, been there at least ten years, seen some serious shit.
Marty advised himself to be cautious.
“Hello?” a voice asked, equally cautious.
“Dunbar?” Marty laughed, relaxing. The odd sound, it had been a blind man’s can, tapping threadbare carpet, then running along the rotting baseboards.
“Marty.”
Marty couldn’t see Jim yet, just a vague reflection from the cane. He waited, feeling a little better to have Jim down there with him. Between the two of them, they’d find the scene in the basement, find the corpse, and get on with their lives.
“What are you doing here?” Marty asked. Jim still hadn’t made it to him. “And where’d you come from?” Dunbar was coming from the opposite direction down the hall.
“It was on my way.”
“On your way to where? I thought you were sick today.”
“Hank’s sick today. That doesn’t give me the day off.”
“Where’s Karen?”
“Out with Tom. I didn’t want to just sit there, though.”
“They learn anything new?”
“Not that I know of. The EMT had just given the cop a sedative.”
Jim was suddenly at his side and Marty jumped, putting out a hand to stop the detective from going any further, in case the odd lighting and acoustics had affected both of their perceptions. “How’d you get here?”
“From the front door.”
“Me, too.” Marty screwed up his forehead. But it wasn’t likely Dunbar would really know how he had made it to the other end of that hallway—one of the perks of being blind. “So…” Marty cleared his throat. “It’s dark in here.”
“And damp,” Dunbar added, taking a swipe at his forehead as if something had dripped on him.
“F*ck, Jim, it’s downright foggy.”
Dunbar just looked at him in the dim light, barely more than a silhouette.
“Yeah, I know you can’t see it…”
“It’s foggy?”
“Yes.” Marty shivered. “Give me the benefit of the doubt, okay? Just this once?”
Marty heard him shrug, a rustle of his long overcoat, more heard than seen. “I’m sure there’s a rational explanation.”
“Such as?” Marty prompted.
The shrug again. “It’s humid in here, but cold. You know how steam rises out of the sewers in the middle of the night? Maybe it just got trapped here.”
“Great,” Marty said. “A warm sewer backing up.” He shivered. It was cold in there.
“Where’s the body?”
“I haven’t found it yet. I can’t find the stairs that go down to the basement.”
“The officer said to go straight in through the front door and there’d be a long hallway. The stairs were supposed to be just past the kitchen, third door on the right. Karen even pointed me at the hallway.”
“Okay…”
“There were no doorways on the right.”
“That’s because you got turned around,” Marty said. “You’re coming from the wrong way.”
“But I never turned…”
“So we’re both lost. Let’s go back to the front door and start over. I have a flashlight in the car. That’ll make it easier.”
Jim sort of laughed, but he nodded agreement, a vague reflection bouncing off his ever-present sunglasses. “I’ll follow you, if you’re sure I’m the one who got turned around.”
“What’s that supposed to mean?”
“It means I’m used to walking around in the dark.”
Marty had to concede to that. He turned around and looked down the hallway, seeing nothing more than walls, a few closed doors, and a red and gray film hanging in the air, an orange light bulb at the end. “Then we’ll go…” He turned back. “…Your way.”
They started walking back the way Jim had come, in the direction Marty had been headed originally.
“I’d hate to see the honeymoon suite in this place,” Marty finally said.
“Foggy and dark…” Jim said. He reached a hand out and ran it along the wall. “Pretty snazzy place, huh?”
“Right,” Marty said sarcastically.
“This wallpaper feels like it was really expensive at one time.”
“But it looks like it’s been molding and decaying for some time.” Marty stayed slightly behind Jim. Jim would probably be more likely to detect an obstacle first, or fall through a hole in the floor… “You like the carpet, too?”
“It’s really worn. You can tell because it’s kind of uneven—plush near the wall, almost down to hardwood in the middle.”
“Yeah. I know.”
“You look behind any of the doors?”
“Not yet. I figure, why bother yet? Until we see the body, we won’t know what to look for. What sort of murder weapon, or snagged clothing…”
Jim paused and Marty managed to stop just before he would have run into him. “Maybe the stairs are behind one of the doors. But not labeled. It’s worth a shot.”
Marty sighed and tried the first door on his right. “Locked,” he said as the knob jiggled loosely. It would be easy to force it open, if need be.
Jim moved ahead, running his hand along the wall. He opened the next door easily and stood outside, listening, waiting. Marty peered in.
“Nothing,” he told Jim. “A bedroom. No mattress, just a frame and box spring.”
Jim leaned in and shut the door.
“This is going to take forever,” Marty complained, striding ahead.
“You got a better idea?”
Marty tossed open the door. “Yeah, we knock this sucker down and build a park. It’ll make a nice memor—” He stopped, his mouth hanging open. Sunlight beat through wispy curtains, making him blink. Somehow the light didn’t permeate the dreariness of the hall. There was another bed, and on it— “A body,” he said, voice absent of emotion.
“What do you—” Jim broke off, stopping beside him, as if he could suddenly see the body also. Then he turned his head to the side. “Did you hear that?” he whispered.
“What?” Marty asked, unable to take his eyes off the woman lying on the bed with at least three obvious gunshot wounds marring her outdated gingham dress.
“A gunshot. No… it was the echo of a gunshot.”
Marty shook his head. All he could hear was a bird chirping outside the window, as if it were spring, mating season.
Jim grabbed his arm. “Another one,” he said. “Just the echo.”
Marty finally tore his eyes away from the pretty brunette and looked at Dunbar, who’d taken off his sunglasses, as if it would help him hear better, his lips pressed together and eyes half-closed in concentration.
The hand tightened. “Another one. But I can’t tell where they’re coming from. That’s three.” Dunbar sucked in a deep breath, waiting for more.
“There won’t be anymore,” Marty said, turning back to stare at the body. A fly was buzzing around it, impossibly loud, but refusing to flit upon the dead surface.
“How do you—”
“Because the body here only has three wounds. She’s definitely dead.”
Jim tried to step in front of him, between him and the room, but Marty pushed him back. “Marty—”
“This is Room 11.” He reached for the antique glad doorknob, only half-aware of the unspoiled luxuriance of the room. “We’ll come back.” He shut the light out from the hallway.
“We’d better find some of the other cops, let them know about this.”
“I thought the body was in the basement,” Marty said, turning back toward Dunbar.
“It is. There’s a guy down there.”
“…and a woman up here,” Marty finished.
They’d only gone about five more steps when Dunbar stopped and held a hand out behind him to stop Marty. “Shh.”
“What?”
Marty didn’t hear a reply and he couldn’t see Jim well enough in the dim hallway bulbs after the sunny murder scene in Room 11 to know if Jim answered inaudibly. He felt him point and looked.
“What?”
“Nothing. I don’t know. It was just… a noise. Like a person tiptoeing.”
Marty looked harder. “Nothing. I don’t think… Like I said, I can’t see that well in here.”
This time he saw Jim nod, his eyes adjusting.
Jim pushed open the next door. Again the room was dark and drab.
“Nothing,” Marty told him.
Jim closed the door. “What’d you see?”
“Nothing. The windows were boarded up. The curtains torn. No furniture.”
“I meant in the last room.”
Marty was silent. He let Jim walk on ahead. The fog had disappeared from the hall, leaving it no brighter. “It doesn’t make any sense,” he finally said. “I feel like I’m losing my mind.”
Jim stopped walking and turned back. “What was it?”
“It was a nice room. It was bright. The bed was intact. The lady had just been shot… You couldn’t tell how bright it was?”
“No,” Jim said, his tone clipped.
Marty shook his head. It had just been so sunny, he thought even a blind man must notice that, somehow.
“Karen,” Jim said. “Karen?”
It took Marty a moment to realize Jim was trying to get someone on the radio. “Mine doesn’t work, either.”
Jim’s hand fell. “Let’s go.” He ran his hand along the wall to the left, switching sides of the hallway as they headed back the way he had come. He stopped. “Stairs.”
“What?”
“Stairs. In Braille. It’s labeled.” He moved forward a step, finding a door. “What do you want to bet this is the third door on the right and it goes downstairs?”
“Okay…”
“And… somehow… I missed it completely, along with the other two doors.”
Marty moved up next to Jim as he opened the door. He didn’t see a label in print, just the little plaque of Braille, tarnished brass that blended in with the gold of the wallpaper. “We’ll let is slide, seeing as how I was coming from the other direction altogether.”
“Gee, thanks, Marty.”
“Stairs. Going down,” Marty affirmed.
“Should we? Or should we go get Karen and Tom?”
Marty hesitated. “I bet we got so turned around and lost that they’re already down there. Let’s go.”